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November 20, 6pm
Goethe-Institut, Sarajevo
November 27, 7pm
KVOST, Berlin
December 3, 7pm
Otel’, Kyiv
December 7, 3pm
Pavilion of Culture, Kyiv
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Solomiya No. 5 — After Now
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Contributors
atelienormalno, Khulud Alharthi, Mohammed Al-Qadhi, Commercial Public Art, Anna Dziapshipa, Yuliia Elias, Alina El Assadi, Vsevolod Kazarin, Ivanna Kozachenko, Tetiana Kyselova, Dariia Kuzmych, Darja Lukjanenko, Oleksii Minko, Anastasiia Omelianiuk, Vladyslav Plisetskyi, Volodymy Prylutskyi, Bojan Stojčić, Starman, Illia Todurkin, Andrii Ushytskyi, Sebastian Wells
Contributors
atelienormalno, Khulud Alharthi, Mohammed Al-Qadhi, Commercial Public Art, Anna Dziapshipa, Yuliia Elias, Alina El Assadi, Vsevolod Kazarin, Ivanna Kozachenko, Tetiana Kyselova, Dariia Kuzmych, Darja Lukjanenko, Oleksii Minko, Anastasiia Omelianiuk, Vladyslav Plisetskyi, Volodymy Prylutskyi, Bojan Stojčić, Starman, Illia Todurkin, Andrii Ushytskyi, Sebastian Wells
Now in its twelfth year, Russia’s ongoing war against Ukraine has transformed from a singular rupture into an enduring state of crisis; from a suspension of law into a law of suspension. At a moment when grief and anger dominate public and private life, envisioning the future can feel out of reach. Solomiya No. 5—After Now reflects on hope and freedom not as a triumph, but as a complex, often compromised condition, entangled in inequality, shaped by trauma, and co-opted by power. By gathering voices from Yemen to Ukraine, from Georgia to Germany, we turn our attention to the present, to the conditions shaping the paths that futures may follow. With contributions from 21 artists, journalists and scientists, we navigate the deadlocks of communication and the paradox of imagining a post-war future within ongoing war. They hold space for doubt, contradiction, and the possibility of being wrong—through testimonies of soldiers and veterans, and expressions of embodied experiences of dancers, imagined chess figures, dopamine supermen, astronauts, and dried watermelons.
Solomiya No. 4 — The Environmental Issue
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Contributors
Kateryna Aliinyk, Lisa Biletska, Dmytro Chepurnyi, Yana Kononova, Katia Motyleva, Oleh Perkowsky, Oksana Semenik, Daria Svertilova, Darya Tsymbalyuk, Jonathon Turnbull, Oleksii Vasyliuk, Iryna Zamuruieva
Contributors
Kateryna Aliinyk, Lisa Biletska, Dmytro Chepurnyi, Yana Kononova, Katia Motyleva, Oleh Perkowsky, Oksana Semenik, Daria Svertilova, Darya Tsymbalyuk, Jonathon Turnbull, Oleksii Vasyliuk, Iryna Zamuruieva
The first monothematic issue of Solomiya Magazine—The Environmental Issue—brings together a collection of artists and researchers reflecting and advocating on behalf of Ukraine's more-than-human communities and ecologies. In collaboration with the Ukrainian Environmental Humanities Network (UEHN)—an international collective of curators, artists, and scholars—we’ve created an issue that celebrates the richness and complexity of Ukrainian landscapes. This issue offers a diverse range of perspectives, amplifying voices that challenge the colonial, imperial, and extractive narratives that have long shaped external perceptions of Ukraine’s environment.
Solomiya No. 3 — The Last Issue?
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Contributors
Alex Mashtaler, Asia Bazdyrieva, Beauty Studio Tripping, Commercial Public Art, Henrike Naumann, Ivanna Kozachenko, Lucy Zoria, Margarita Polovinko, Andrii Ushytskyi, Vsevolod Kazarin, Sebastian Wells, Maxim Dondyuk, SOC.I.A, Jean-Marc Caimi & Valentina Piccinni
Contributors
Alex Mashtaler, Asia Bazdyrieva, Beauty Studio Tripping, Commercial Public Art, Henrike Naumann, Ivanna Kozachenko, Lucy Zoria, Margarita Polovinko, Andrii Ushytskyi, Vsevolod Kazarin, Sebastian Wells, Maxim Dondyuk, SOC.I.A, Jean-Marc Caimi & Valentina Piccinni
The third issue of Solomiya is as desperate as it is full of love, beauty, courage, and an unsettling longing for “a journey, an escape, and freedom,” as Yevhen, a young soldier from Odesa, puts it in War Dreams, a poignant series of portraits by Italian photographers Caimi&Piccini. While raising questions about masculinity in war through the recent work of Vsevolod Kazarin, Alex Mashtaler’s yet unpublished photographs juxtapose the innocence of youth with the unforgiving harshness of reality—a reality shaped by Ukraine’s colonial past and a present challenged by ongoing militarization. While Ivanna Kozachenko and the artist collective Commercial Public Art dissect the spatial strategies of the architecture built by Russian forces in the occupied territories of Ukraine, the writings of Lucy Zoria and Sebastian Wells offer diverse insights into the lived experiences of young Ukrainians abroad.
Solomiya No. 2 — The Means of Resistance
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Contributors
Lesha Berezovskiy, Dmytro Chepurnyi, Alevtina Kakhidze, Ivanna Kozachenko, Livyj Bereh, Yuliia Manukian, Sasha Naselenko, Daniil Russov, Oleskandra Kalinichenko, Dima Tolkachov, Max Tsukan, Andrii Ushytskyi, Sebastian Wells, Vsevolod Kazarin, Emine Ziyatdinova
Contributors
Lesha Berezovskiy, Dmytro Chepurnyi, Alevtina Kakhidze, Ivanna Kozachenko, Livyj Bereh, Yuliia Manukian, Sasha Naselenko, Daniil Russov, Oleskandra Kalinichenko, Dima Tolkachov, Max Tsukan, Andrii Ushytskyi, Sebastian Wells, Vsevolod Kazarin, Emine Ziyatdinova
In the magazine’s second issue, we invite you to appreciate artworks that were created in Kherson despite the russian occupation; to read the stories of Ukrainians who had to flee the war twice—in 2014 and 2022; to engage in conversations that explore the concept of the heroic and the language of witnessing; and to highlight perspectives of Crimean Tatars that russia has been attempting to silence for many years. This issue brings together texts, artworks, and photographs from Daniil Russov, Oleksii (Lesha) Berezovskiy, Livyj Bereh, Alevtina Kakhidze, Sasha Naselenko, Oleksandra Kalinichenko and others. This issue, created in Kyiv and designed in Berlin, is a testament to resistance through the means of art.
Solomiya No. 1 — War but Art
Christina Erturk, Sasha Kurmaz, Sonya Marian, Vsevolod Kazarin, Mykola Ridnyi, Andrii Ushytskyi, Sebastian Wells
In Solomiya’s very first issue, you will encounter some of those who grew up in an independent Ukraine and are paying a huge price for the European integration they seek. We invite you to meet young creatives from Kyiv and elsewhere who write, create and don’t stop self-expressing their identities through their fashion. Further, we show for the first time brandnew works by Sasha Kurmaz, who also created the cover motif. While Mykola Ridnyi’s iconic series “Blindspot” recalls the beginning of the Russian invasion of Ukraine in 2014, a protocol traces the lives of two young inhabitants from Bucha who survived the Russian occupation in 2022.
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Events
Upcoming
November 20, 2025
6pm
6pm
November 27, 2025
7pm
7pm
December 3, 2025
7pm
7pm
Launch of Solomiya No. 5
Otel’, Kyiv
Otel’, Kyiv
December 7, 2025
3pm
3pm
Solomiya No. 5 Roundtable
Pavilion of Culture, Kyiv
Pavilion of Culture, Kyiv
Past
September 29, 2025
Panel Talk on Solomiya No. 4 — The Environmental Issue
LU Gallery, Lutsk
LU Gallery, Lutsk
March 8, 2025
March 6, 2025
Artist Talk with Daria Svertilova
Bar Le61, Paris
Bar Le61, Paris
February 5-19, 2025
February 7, 2025
Launch of Solomiya No. 4 — The Environmental Issue
TheSteinStudio, Kyiv
TheSteinStudio, Kyiv
Information
Editorial Team
Vsevolod Kazarin (Kyiv)
Andrii Ushytskyi (Kyiv)
Ivanna Kozachenko (Kyiv)
Sebastian Wells (Berlin)
Art Direction
Peter Bünnagel, Anne-Lene Proff (Berlin)
Kollektiv Scrollan
Events and Project Coordination
Maria Friede (Berlin/Kyiv)
Vsevolod Kazarin (Kyiv)
Andrii Ushytskyi (Kyiv)
Ivanna Kozachenko (Kyiv)
Sebastian Wells (Berlin)
Art Direction
Peter Bünnagel, Anne-Lene Proff (Berlin)
Kollektiv Scrollan
Events and Project Coordination
Maria Friede (Berlin/Kyiv)
Founded in response to Russia’s full-scale invasion of Ukraine, Solomiya is an English-language independent magazine born from artists’ decolonial engagement with their environment amid ongoing imperial aggression. It presents diverse perspectives on contemporary realities and social issues in Ukraine and beyond through visual art, text, and design blending personal experience, documentary practices and discourse. Solomiya is printed vegan, shipped worldwide and stocked in all major European capitals.
Reach out to us
If you are interested to contribute to Solomiya as an artist, collaborate as an institution or stock the magazine in your shop, don’t hesitate to drop us a line.
Partnerships
Our magazines would not have been possible without the support of the Akademie der Künste, Klaus Stemmler Foundation, IWM, Ukrainian Institute, Werkleitz Festival, IGEPA and Fedrigoni Paper. For the years 2024-2025, Solomiya Magazine is proud to be supported by WeTransfer’s Supporting Act Foundation. Help us with our mission, benefit from our network and feel free to contact us about possible partnerships.
Our magazines would not have been possible without the support of the Akademie der Künste, Klaus Stemmler Foundation, IWM, Ukrainian Institute, Werkleitz Festival, IGEPA and Fedrigoni Paper. For the years 2024-2025, Solomiya Magazine is proud to be supported by WeTransfer’s Supporting Act Foundation. Help us with our mission, benefit from our network and feel free to contact us about possible partnerships.
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Kyiv oblast
08700 Ukraine
hello@solomiyamag.com
Solomiya Collective NGO
Kyiv oblast
08700 Ukraine
hello@solomiyamag.com
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